My first editorial on ReelReviews!
WHAT IF ‘MAN OF STEEL’ WAS MADE BACK IN 1978?
A constant refrain we hear from Synderverse fans is that their crappy movies only got awful reviews because people “unfairly” compared them to the earlier big screen adaptations. That is why Wonder Wonder was “fairly” rated and got a positive review, they say. If Man of Steel had been released first and made in 1978, audiences and critics would have seen IT as the “definitive” version of Superman and loved it.
So let’s examine this scenario.
Go back to 1978 and imagine Superman: The Movie was never made. POOF! It’s gone from existence. No Salkind producing team, no Richard Donner as director, no sweeping iconic John Williams theme, and Christopher Reeve remains an unknown young stage actor from Julliard.
Without that movie to “taint” audience’s views of Superman, the creative team behind Man of Steel arrives in a time machine and Warner Bros. gives them the go-ahead to film THEIR “vision” for Superman using 1978 filming techniques and actors. Zack Snyder uses a 1978 film crew to capture David Goyer’s script exactly as it originally written. 1978 actors are hired to fit Snyder’s vision for DC comics: Obscure TV actor Grant Goodeve (who is the same age as Christopher Reeve and looks very much like him and Henry Cavill, but plays dour, serious roles) is cast in the title role. Ann Margaret (then a redhead actress in her late 30s) is cast as Lois Lane. Yaphet Kotto is Perry White. As in real life, Warner Bros. insist on hiring big name stars, so screen legend Orson Welles is hired to play Goyer’s version of Jor-El, Dustin Hoffman is hired to play Goyer’s version of General Zod, and Bruce Dern gets to be David Goyer’s Pa Kent and is killed on screen by a tornado.
The film eats up a HUGE budget as the screenplay calls for massive destruction porn and is done in the tone of a dreary, ugly, humorless, late 1970s action filled disaster flick (in “sci-fi” drag) about an “alien invasion”. Grant Goodeve has almost no dialogue and doesn’t have much to do on set but stand around and look glum, and spend weeks on end shooting fight scenes with Dustin Hoffman, as use wire work to plow into each other while “flying”. Meanwhile, their stunt doubles throw each other into “buildings”. Pyrotechnics are used to knock down the “Metropolis” set endlessly and blow up half the “city”. Snyder directs Hoffman to talk like he has marbles in his mouth while screaming lines like “I WILL FIND HIM!!!” Ann Margaret gets to say lines like “If we’re done measuring dicks, can you have your people show me what you found?” Since the digital technique doesn’t exist yet, much of the cinematography achieves the desired “shakey-cam” effect that Snyder wants by having overcaffinated camera men riding around set on lawnmowers with handheld cameras. Bruce Dern’s stunt double is injured during the tornado scene, and filming is delayed for several weeks.
Since the PG-13 rating doesn’t yet exist in 1978, the film gets rated R for extreme violence and use of language, with the graphic depiction of Superman breaking a character’s neck shocking 1970s audiences. (Films from that era competing for the same adult audiences include The Deer Hunter, The Fury, and I Spit On Your Grave) This becomes the 1970s audiences first look at a big budget theatrical superhero movie, trying to appeal to audiences who grew up on George Reeves playing Superman as a lovable all-American boy scout.
And there you have it, a world where the original “Superman” movie as we know it was never made, and the world got Hack Snyder’s vision for the character instead.
How well do you think the movie would have been received?